Slump in full effect, I came home early today. For some reason, I got to writing... and the following was what resulted. And, despite the title, it's no Penthouse Forum... but I suppose it could leave you nostalgic for those red-cheeked teenage days spent in backseats and darkened theaters. Enjoy.
So we found ourselves alone in some alley behind the buildings, not the most romantic place. It was in one of those "old town" places that plenty of American towns have. The throwback towns, facades crafted to recall the glory days... packed with specialty shops and antique stores, little cafes and toys tores where everything is wood and handmade. The kind of place where they have annual street parties with vendors and open markets - you know, Old Town. Ahem... so there we were, in the alley, not the most romantic place. Thankfully, romance has nothing to do with lust and sex. Against the dirty stucco wall I held her arms to her side and kissed her. At least a foot shorter than me, I had to stoop while turning my tongue over in her mouth. Her boyfriend was out there somewhere, on the other side of these buildings somewhere. Her boyfriend and my girlfriend, my friend and her friend, our friends. My hand wandered under her shirt, pressed the soft skin of her side; still kissing. Being so wrong made it so fun, they were right out there somewhere; could turn the corner into this alley at any moment; could find us. What if she tastes you on my lips?
Later that night our double date to the go-cart track and arcade place on the beach, where all the cool kids go. You know the place, the one with the mini-golf course that has a volcano and a windmill, and the huge maze you can pay $2 to run through. The maze full of twists and turns and dead-end presswood walls painted in circus colors. Grab my hand, let's get lost, they are in here somewhere too... this could be even better than the alley. These presswood walls don't even extend to the ground, feet run by on the either side. Hearing shouts and talking as people rushed past us, yellow and blue presswood walls separating them from us. Us: the four feet on the other side of the wall from them. The four feet that weren't moving at all, the four feet that were standing still and, if you listened close, making hushed gasps for breath between sloppy kisses. They're in here somewhere, running through these same presswood walls, separated from the ones they held hands with on the way in tonight; they're in here looking. Any minute now they could turn the corner into our three-walled presswood room. You actually listened to me on the phone this afternoon and wore the overalls, they are always the easiest to get into. Down the side, I slip my hand between the denim and your skin. What if he smells you on my fingers?
The preceding paragraphs, while fine enough on their own, could stand for a bit of background: When I was 15 or so (pre-driving, if I remember right), I was dating a girl. And, as often goes in early teen relationships, one of my closest buddies at the time was dating one of my girlfriend's close buddies. It was the kind of thing that worked well for double-dates and whatnot, teenagers eat that crap up.
Standing in a field a mile from anywhere in every direction. We brought a blanket and some soda. The sun is shining bright and it's not cool, it's downright hot. You smelled so good; clean and fresh, and your light brown hair was newly washed and dried, shining in the sun and sticking a little to your damp forehead. The heat from our walk makes your scent stand out, stirred up with sweat and wafting upward. Standing, I look down on you, your fingers working my zipper, pulling my shorts to my ankles. Your lips pink and full from kissing, the blanket tousled from our rolling around. As I stand, I shoot defiant glances into the the distance; the trees and tall grass where anyone could be watching - but no one is. I look up to the clear blue sky, the birds our only audience. Us: the birds and I, we watch from above, watch your mouth work. At this moment, if I'm not king of the world then no one is. That day, in the woods, my open eyes watched her closed ones; her head moving slowly at my waist as I gathered and caressed handfuls of her hair - truly king of the world for the moment.
The preceding paragraph, while fine enough on its own, could stand for a bit of background: When you are too young to get a hotel room or go back to each other's apartments - you turn to the woods. All kids should get to make out in the woods, there's nothing that compares to being half naked and experiencing first sins alone in the wilderness; pine needles sticking to exposed skin as you moan and pant like TV has taught you. That particular day in the woods stands out, and was with that first girlfriend from above - pre double affair.
Enough of this filth!
Even though PF and other music 'zines have lauded his every effort, I've never been able to get into nouveau-folkie Devendra Banhart that much. Oh sure, I downloaded all the albums and listened to them diligently. I could hear talent, but they were just a little too slow for me - maybe it was a temporal thing, sometimes uber-slow or sober albums only work during certain times of year or under certain circumstances. So, when I read the expectedly glowing review of Cripple Crow, his latest effort, I wasn't surprised. I figured I should follow the drill though, download the album give it a fair shake, and delete it a week later. This time though, the planets were aligned, the time was high, whatever - and the album hit me just right. This is a solid album, reminding me most of Donovan, and at times Dylan or the stripped-down component-Beatles of the White Album. (And I swear I wrote my review before reading PF's, it'd take an idiot to not compare this to Donovan, Dylan, and the Fabs.) Oh, and I just found out that my newly-loved Field Music album is made up of members of other bands... who'd'a thunk?